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Sunday, October 18, 2026
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Ballet Luminary Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I'm Not Precious About My Body'

In the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's posture is naturally upright, his limbs defined beneath a simple white T-shirt. On stage, dancers can appear as powerful gods, yet frequently offstage they are petite. This is not true for Ball, whose tall stature is part of his demand for heroic roles and pas de deux work. Possessing delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is experiencing the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered minimal ridicule for his childhood interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the troupe and was promoted each year, reaching the top rank of principal in 2018. He has loved taking on meaty characters, especially the psychological turmoil found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's next featured role is as himself, in an "Evening With" series designed to offer intimate insights into a performer's art. He will guide the crowd through a role, demonstrating his cognitive workflow while performance. Yet in lighter ballets, the challenge is significant. "A classic ballet is one of the toughest from a skill perspective," he states.

The Mental Struggle and Post-Performance Feelings

What about following a show, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the character, frequently I do feel embarrassed afterwards. After Mayerling I'm always thinking: God, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. Yet a choreographer once remarked on a "kind of suffering in him." Is there? "I'm quite active usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Drivers and Creative Influences

His determination originated in youthful experiences. Not doing well in contests at school made him "vengeful!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next endeavor is making his own choreography. For Ball, "organic movement has value." "Challenging the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from literature, music, and painting.

Intimate Performance and Personal Partnership

He also favors staging dance in more intimate spaces. "It was just really thrilling," he says of a previous show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They aren’t usually paired on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Image

On Instagram, fans can see videos from his projects and photos that showcase a athletic physique. Does he mind that the engagement can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—an object that can be seen on various levels.

Ball characterizes his younger self as "eager for success." Has it met his hopes? "I feel very aware of how life is a different reality to the dreams you had as a young person," he reflects. He likely has about decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."

About the author

Dean Wilson

A film critic and historian with over a decade of experience, specializing in independent cinema and international films.

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